Dr. Who: Modern British Icon?

Spoiler alert: I’m assuming you’ve seen the Dr Who anniversary episode. If not, why not??

The French National Front has, in the past, been¬†very big on hijacking Joan of Arc as an icon of their values. The Brits, on the other hand, have never been big on that. Winston Churchill sort of fills that particular void, but even then only from a distance. Despite being right on the single most important decision of his life, opposing Hitler, Churchill held opinions that would alienate many on both the modern right and left. Eurosceptics shift uncomfortably at his support for a United States of Europe, and in government after the war he was economically left wing and a union appeaser. The left remember his opposition to Indian independence. Still, one can’t be too picky. JFK was elected in a rigged election. FDR imprisoned Japanese Americans. An icon is supposed to be soothing from a distance but not looked at too closely.

Having said that, watching the 50th anniversary of Dr Who, I couldn’t help thinking that if there is anything that sums up modern Britain, it’s The Doctor. It’s hard to imagine any country where the identity of the actor playing a fictional character on a children’s (yes, that is who it is aimed it, even if it has made efforts to include the whole family) TV show is a source of enormous national debate and media coverage. The Americans don’t do the same about Superman. Even James Bond doesn’t demand the same loyalty.

But Dr Who is different. Possibly because TV is a more intimate form of culture than film, and by the sheer nature of TV producing much greater episodic quantity than film, and the fact that it is family friendly, and the fact that nearly three generations of TV viewers have now grown up with him, The Doctor has managed to find a particular niche.

But there’s more to it than that. Unlike James Bond, Dr Who has modernised to reflect modern Britain, and more to the point, is at ease with it (Prediction: we’ll see a female Dr by 2017).¬† He’s cheeky, informal, comfortable with different cultures and even sexual orientations, and suspicious of big power in whatever form. He’s also from a former superpower long neutered, yet still with cultural impact throughout the galaxy.

To Eurosceptics, he could be an icon for an independent Britain not afraid to face down Brussels. To pro-Europeans he’s someone who recognises the need to work with allies, often by convincing them of his leadership ability in pursuit of a common goal.

But you know why he’s a national hero? I’m not a Brit, but even I felt the hairs rise on the back of my neck when Tom Baker’s voice is heard in the final scene, because it means something. There’s a line in the episode when Rose his companion points out to The War Doctor that the wheezing sound the TARDIS makes is now synonymous with hope, and it’s the truest line in the whole episode, because for every fan from 1963 that’s exactly what the sound meant. That in the middle of an episode, when people were in what seemed like desperate hopeless danger, the sound of the TARDIS materializing always meant one thing: Here Comes Help.

Is there a Brit over six years old who doesn’t know that sound, or not know that a blue police box has absolutely nothing to do with either the police or telephones?

Isn’t that the very definition of iconic?