If you’re not watching or haven’t watched French political drama “Baron Noir”, you can’t call yourself a political junkie. Whereas “The West Wing” did liberal political fantasy, and “Borgen” did liberal compromise, and “House of Cards” did cynical winning for winning sake, “Baron Noir” does political street-fighting with just a hint of morality.
The series centres on Phillipe Rickwaert, Socialist MP and Mayor of Dunkirk and chief crony of the Socialist candidate for President of France, starting on the eve of the first round. I won’t give anything else away other than the show is about the grubby compromises of politics. And yet… most of the characters, especially Rickwaert played by a brooding but charismatic Kad Merad have a moral centre. Politics matters to them. Nearly all are idealists (some lapsed) and all actually care about what it means to be in public office.
Rickwaert is an intriguing character, at home with the parish pump politics of his local fiefdom as with the battles over what it means to be a socialist in 21st century Europe. Genuine political issues from Marxism to Europe to secularism are debated throughout the show in a way unimaginable in a modern English-language political drama. It shows just how big the gap between Anglo-Saxon and continental politics is: unions still matter, and characters barely bat an eyelid when a prime minister openly advocates a United States of Europe.
There was a time when eyes were rolled at European TV drama in terms of accessibility and production values. No more. This is as good if not better than any political drama on US/UK TV.
All three seasons (it seems there won’t be a fourth) are on Amazon Prime.