Posted by Jason O on Dec 20, 2015 in Cult TV
Repost: The American chatshow host Conan O’Brien remarked last year that he had noticed a significant change in audiences who attended the recording of his show on TBS. He pointed out that in the 1990s a guest who was the star of a successful show could assume that the great majority of the studio audience not only knew who he/she actually was, but would get references to their character and the plotline of their show. Everybody knew who Ross and Rachel were.
O’Brien pointed out that now, going by audience reaction, it is now possible to be the star of what is deemed a successful show and yet still have a large proportion of the audience have only a vague if any knowledge of the actor or their show.
Consider two numbers: “Game of Thrones”, arguably the most popular TV show on the planet, gets around 7m viewers in the US for new episodes. Now consider that “Only Fools and Horses” used to get up to 14m viewers in the UK alone. Sure, don’t go all mad: I know, I’m not comparing like-with-like. GoT appears on a cable network, OFaH was free to view. But the fact is, the huge choice we have now has completely fragmented TV viewing. There are exceptions: in the US the Superbowl gets over 100m viewers, but even that has to be taken in the context of the time. Why? Well, here’s another wild figure. The finale of “MASH” in 1983 got nearly 106m viewers, in a country with nearly 100m less people than the Superbowl broadcasts to now.
The media lock onto shows like “The West Wing” or “The Sopranos” or “Madmen” or “The Wire” but the reality is that relatively small numbers of people actually watch these shows, in whatever format they watch (Cable, download, etc). The finale of “Friends” 10 years ago got stateside 52m viewers. Seinfeld got 76m. Today, the biggest drama show on American TV (both cable and terrestrial) is “NCIS”, which gets, in a country of 320m people, an audience of between 16 and 20 million. True, they were finale shows, with huge amounts of publicity surrounding them, but the figures are still stark.
So what’s my point? I suppose it’s that we now live in a “television” (I use the word loosely, given the impact of Netflix and downloads) age where a huge increase in quality and choice has almost shattered the shared experience. It’s true that people now watch “Doctor Who” or “Downton Abbey” with one eye on Twitter, and that is a shared community, but the reality is that most people are not watching the show you are watching. Is that a bad thing? Not necessarily. But we all (of a certain vintage) remember Ross and Rachel’s first kiss. On the other hand, I’m afraid to write about Ned Stark out of fear that some of my readers don’t know who he is, or his destiny, because they haven’t experienced it yet.